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Simply make the rails, cut the wood, make the bottom of the shelves, layout pivot points, glue each shelf together, attach the backs and sides, sand and paint, then assemble everything into one. You’ll also need bar clamps, a jigsaw, wood screws, a hammer, and power sander. This builder used oak though you can use any wood like cherry, ash, walnut, or pine. It’s not only the succession of beautiful, thoughtfully conceived rooms that has an impact on the solar plexus, but the details that lift them head and shoulders above the everyday: the lampshades hand-painted by Alvaro Picardo for the exquisite Colefax and Fowler drawing room, the Egyptian-inspired velvet on the walls of the Pierre Frey Salon by Linda Boronkay, the deep-red marble fireplace from Westland in Brandon Schubert’s Morris & Co courtyard bedroom, the Blow bookshelves in the Julian Chichester library by Turner Pocock.This professional-looking bookcase isn’t difficult to build and can be completed in one day. The event is celebration of a new confident approach to decoration that has gathered steam over the past few years. At the WOW!house, they started with little but the dimensions of a notional space and a floorplan.
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Designers achieve all sorts of amazing feats, from the sensitive refurbishment of old houses to the addition of mood and character to new buildings, at the same time as juggling the hopes, aspirations and impossible demands of clients. It is the temporary nature of the rooms at the WOW!house, like those at the annual Kips Bay showhouse in New York, that speaks volumes about the transformative possibilities of decoration in a matter of days, the designers taking part - including Emma Burns and Philip Hooper of Sibyl Colefax and John Fowler, Rita Konig, Bunny Turner and Emma Pocock of Turner Pocock, as well as Linda Boronkay and Brandon Schubert - performed that magic trick that never fails to impress an audience: they created something from nothing. Baker and Morris & Co, designers have created a succession of rooms, including a drawing room, dining room, bathroom, bedroom and dressing room, especially for the month-long show. Working with brands that have showrooms at the Design Centre, such as Julian Chichester, G.
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A visit to the WOW!house, on show at the Design Centre, Chelsea Harbour until July 1, eloquently demonstrates the joy of the comfortable interior and reflects the focus of a new generation of designers on the possibilities of carefully conceived and layered decorating schemes. If we have learnt anything from the past two years, it’s that hard edges and insipid colour palettes offer little succour in troubled times. In those days when the chill hand of minimalism had many of us in its thrall, others stayed true to the cause, like a hardened bunch of recusants continuing to secretly enjoy the comfort, colour, pattern and texture that classic English decoration affords. In following decades, decoration with a capital ‘D’ never really went away, of course it was simply never featured in the slew of new interiors magazines that were cheerleaders for decorating that relied more on shopping than paint finishes, beautiful upholstery and carefully curated collections. Giles Kime reports from the WOW!house, and recommends a visit to see it at Design Centre, Chelsea Harbour, before it closes on July 1.Īnyone around in the 1970s and 1980s may remember the highly inventive, full-throttle style of that era’s greatest interior-design practitioners, including David Hicks, Roger Banks-Pye, John Stefanidis and Tessa Kennedy, as well as the early work of Nina Campbell who is still at the height of her powers half a century later. Country Life's Top 100 architects, builders, designers and gardeners.